A Saturday afternoon, usually my favourite time.
As I continue to battle a long, lingering cold (flu?) I feel thwarted by my holidays
being coldly invaded by it, and going back to work yesterday did nothing to
revive me.
Taking solace in books is all I seem to want to do right now.
Finished reading "Freedom" by Jonathan Franzen, an excellent novel, researched, I
imagine, exhaustively, by its author. A family of individuals struggling to appreciate each
other. Not an 'unhappy' family, but a familiar one.
Tuesday, February 22, 2011
Saturday, February 19, 2011
Sweet Dreams
On a lighter note I bring you the link to the OneMinuteWriter.
http://oneminutewriter.blogspot.com/2011/01/todays-writing-prompt-theme-song.html
It's playing as I write this. Oddly, on my ipod as I tune in and look at the One Minute Writer Daily Writing Prompt.
It said to pick a theme song (not write one oh god no) that would go with your profession. I already have one, I picked it up after seeing an episode of "The City" (no relation) and it is Sweet Dreams, by that ubiquitously a-sexual Annie Lennox, whom, as my friend A once summed up as "a woman who has spent some dark nights alone with several martinis".
My theme song doesn't literally relate to my job as a kitchen designer. Unless you count angst-ridden renovation nightmares. It relates more to a certain sense I get when I experience those twinge-worthy moments of professional epiphany, of pride, or a great new idea, or a sense of connection to those I am working for, and in some cases, against.
Let me give you the premise of how the song was used in The City, a guilty pleasure of mine that I enjoy watching, truly, for the fashions, but also for the peek inside the almost-homicidal-level of office politics that colours the office staff of the employees and management of a little fashion magazine known as Elle.
In one telling scene, Erin has a break-through at work where she backs down from a truly evil co-worker, and lets karma deal with this little troublemaker. It's for a cover of the magazine, and out of a focus group, her idea, which was pooh-poohed by her colleagues, ends up the chosen cover for the spring issue.
At the end of the episode, the cover is revealed in a board meeting with the entire creative team, Bitch-Girl and Erin and their blind-to-it-all boss Joe Zee.
The opening bars of this 80s hit swell up behind the scene as the meeting ends, and the team gets up from the boardroom table to leave the meeting.
Not Erin. She doesn't move as the song begins to reach crescendo;
"oooooooooohh hhhhhhhhhhaaaaaaaaaaooohhhhhoooohhhhhhhhhahhahahah....." and Annie Lennox's voice becomes the instrument.
The music pounds at the end, and Erin remains motionless, I presume to enjoy her professional orgasm.
Because whose kidding who--watching a karmic backlash in motion is, bar none, one of the
sweetest moments in life.
http://oneminutewriter.blogspot.com/2011/01/todays-writing-prompt-theme-song.html
It's playing as I write this. Oddly, on my ipod as I tune in and look at the One Minute Writer Daily Writing Prompt.
It said to pick a theme song (not write one oh god no) that would go with your profession. I already have one, I picked it up after seeing an episode of "The City" (no relation) and it is Sweet Dreams, by that ubiquitously a-sexual Annie Lennox, whom, as my friend A once summed up as "a woman who has spent some dark nights alone with several martinis".
My theme song doesn't literally relate to my job as a kitchen designer. Unless you count angst-ridden renovation nightmares. It relates more to a certain sense I get when I experience those twinge-worthy moments of professional epiphany, of pride, or a great new idea, or a sense of connection to those I am working for, and in some cases, against.
Let me give you the premise of how the song was used in The City, a guilty pleasure of mine that I enjoy watching, truly, for the fashions, but also for the peek inside the almost-homicidal-level of office politics that colours the office staff of the employees and management of a little fashion magazine known as Elle.
In one telling scene, Erin has a break-through at work where she backs down from a truly evil co-worker, and lets karma deal with this little troublemaker. It's for a cover of the magazine, and out of a focus group, her idea, which was pooh-poohed by her colleagues, ends up the chosen cover for the spring issue.
At the end of the episode, the cover is revealed in a board meeting with the entire creative team, Bitch-Girl and Erin and their blind-to-it-all boss Joe Zee.
The opening bars of this 80s hit swell up behind the scene as the meeting ends, and the team gets up from the boardroom table to leave the meeting.
Not Erin. She doesn't move as the song begins to reach crescendo;
"oooooooooohh hhhhhhhhhhaaaaaaaaaaooohhhhhoooohhhhhhhhhahhahahah....." and Annie Lennox's voice becomes the instrument.
The music pounds at the end, and Erin remains motionless, I presume to enjoy her professional orgasm.
Because whose kidding who--watching a karmic backlash in motion is, bar none, one of the
sweetest moments in life.
Monday, February 14, 2011
Vday
I have a memory like an elephant. Especially when it comes to the audible in life, the spoken word, or the books and articles I read, the written word. Visual cues come and go, but I remember things people said more than they way they looked, and what I have read defines periods in my life more than a photograph ever could.
So when friends say things, I often remember them long after.
It was a couple of years ago. I was going through a trying, lonely time, feeling sorry for myself, and my friend L. was on the phone with me, trying vainly to cheer me up in her unique way. She probably felt some twinges of frustration at me, being that my crying was interrupting her flow of speech. Then she said something that struck a chord in me; "You have alot of good karma coming your way, because of what you've done for those two children".
I paused. I listened. I heard her. Then, somewhere inside myself I filed that phrase away.
Those two children are my niece and nephew, and the 'good karma' she speaks of may have something to do with the relationship I've cultivated with each of them since they were born.
After my sister's divorce, which was a surprise for her, and for all of us, those two children became, if possible, even more special to me. They'd already been through so much upheaval in their young little lives, I was determined to help make their childhood something special, with lots of fun times to remember, and to make sure that this event, their parents split, did not make them grow up too fast.
Karma, as they say, can be a bitch. What I've realized is that it's not really a 'thing' so to speak, so much as a universal 'thought'. We attach meaning to it based on our fear that if we do something unsavory to another, be it dishonesty, heartbreak, deceit, or cruelty, that we will be punished for it. Alternately, when we behave in a positive, kind, or loving way, we will be rewarded. Not really a sane basis to live by, but it does have a kind of soothing effect when you imagine that all those in life who seem to get by doing the most shockingly insensitive things will, at some point or another 'get their just desserts'.
It doesn't always work this way.
Despite my friend's optimistic outlook for my karmic future, the years following had surprises in store, some very unpleasant. But last year, something in me (finally) clicked. I could try to take those hard times in life and evolve them--into a learning experience, a transformation, a new skill, anything that didn't involve me feeling self-pity. So I did. It was not easy, and in no way do I sit here, writing away, looking back, and think that it was. It was brutal, it was difficult, and no, I don't want to glorify that time. It is what it is, and now it is behind me.
So what of my good karma? Well, when I move the words around in my friend's unforgettable statement, I see it this way: Those two children, and what they have done for me are where the good karma comes in. I'm not a parent myself. But now, to them, I am a role model. And that's important, more important than my own selfish existence. They have a big future ahead, a space on this planet, deserving of love and happiness, for the same reason we all deserve it--simply because we are alive, and we live, and we feel, and we (in my belief) have a soul, and there is that feeling of bliss, as my love M. says, of being a good person.
This weekend is Valentine weekend, my first with M, and oddly, we don't really have anything romantic planned, as we are taking care of my niece and nephew from Saturday to Sunday, as my sister is going on a well-deserved vacation. I'm elated that M finds this a great way to spend a weekend, and that he is enamoured as I am with my niece and nephew.
He will leave in a few short weeks to go back to his home in the States, another chapter in our new relationship.
Thursday, February 3, 2011
Sub-Conscious-Wake up and Enjoy Life
I'm swimming through the days lately. They pile on top of one another and I look back at them and puzzle as to where they went.
And when I say "swimming" through the days I in no way mean that things are going along swimmingly. Although, in many respects, they are. In other, more serious respects, they are not.
Winter represses. It pushes. Down. The days are short, and daylight, so rare and precious, seems dark too. Sleep is one antidote. But then, even in sleep, your dreams will find you, your heartbeat will find you, roaring in your ears, a loud lion, jaws open, determined to be heard.
4am has once again found me, awake, worried, and praying, and curled up in sheets and blankets, trying to keep the fear out.
I get up, it's easier than staying in bed at this point.
I have work to do.
Sunday, January 30, 2011
The Friendship Game
I've talked about tier friendships on this blog before. I've talked about how, sometimes, despite drifting apart, there is no malice intended. It's simply time commitments that you both may have, busy lives, contributing to a marriage, raising children, pursuing careers.
But the good friends, the true friends, the tier ones, the staunch supporters, the ones that don't go away when things get rough, who can look troubled times in the eye, their own or someone elses', transcend these realities of life. I've talked about it here.
http://carolyninthecity-citygirl.blogspot.com/2009/07/tier-one.html
These transgressions, are, for the most part forgiveable.
Time goes by. That period in her life where the two of you were close recedes, and you make the change the level of your relationship--to that of acquaintence. You have other close friends who were at one point close with her too. They too experience a shift in their level of frienship with Acquaintance. The two of you stay the close friends you've always been, and regard Acquaintance with a kind of pity. After all, into every life some rain must fall, as we are told, as life shows us, and when that rain is falling, friends are crucial in holding you up in those critical moments.
Which brings me to the real purpose of this blog, it's something I touched on in this blog a couple of years ago. At the time I was writing about the duplicity of being lied to by a colleague, but it applies to this situation too;
http://carolyninthecity-citygirl.blogspot.com/2009/10/real.html
I also took used this blog entry as a reminder of all the wonderful women in my life who truly are real, and I mention A and J. My encounters with both of them, no matter how long the distance, or how much we have to catch up on, are always cerebral, enriching, and I can feel their caring. I am sure they can feel mine.
I've become enmeshed in following a wonderful website known as the TinyBuddha written by a talented woman, with a bit of zen up her sleeve, and an enormous gift for self-examination without feeling defeated, and self-introspection without judgement. I've been receiving updates from this wonderful website for a number of weeks, they come precisely at noontime into my inbox every day, and I read them as I eat lunch at my desk, and look for the meaning they are transmitting. This week, on Friday, was a beautiful entry about friendship.
I re-post here with full credit to this wonderful, enriching blog.
http://tinybuddha.com/blog/25-ways-to-be-a-true-friend/?utm_source=The+Tiny+Buddha+
I read this with a critical eye towards myself, and tried to remember all of the points, and to work on ones that may have gone by the wayside lately. I consider myself hugely lucky in the friend department. I have a circle of girlfriends who go above and beyond. It's not a huge circle, but once you're in at this stage, you're likely to be around for a long time. The friendships I made in my 20s have stood the test of time the longest, one common thread being a steakhouse we all worked at when we were young, struggling to make something of ourselves, and trying not to let the stress of starting a real career and form lasting relationships beat down our spirits too much.
Even those who I am not on a 'daily' with now, continue to check in on a regular basis, and we know what is going on with each other and when we might need a bit more of a shoulder than other times. The ones with whom I have regular phone contact with, email daily and weekly, the ones who have a standing invite to my home at any time, the ones who can come over and open up my fridge, they remain constants.
See, that's why Acquaintance evokes pity in me. She doesn't have any of that real time anymore. She doesn't have a hint of real--just superficial, self-absorbed conversation, polite interest, and the general cloying fog that seems to envelope people who feel a sense of over-value about themselves. So when I found out that some of her ideas might be a little less than original (re: MINE), I didn't really give it too much thought.
I get that imitation is the sincerest form of flattery, and in the words of my professional mentor, the pull-no-punches-resident-bitch-boss of Peoples Revolution, Kelly Cutrone; "average people are average and no one bothers them".
Honestly--I just can't be bothered.
note; the phrase 'resident bitch' is lovingly borrowed from Mad TV
Monday, January 24, 2011
YOU, THEREFORE
by Reginald Shepherd
You are like me, you will die too, but not today:
you, incommensurate, therefore the hours shine:
if I say to you “To you I say,” you have not been
set to music, or broadcast live on the ghost
radio, may never be an oil painting or
Old Master’s charcoal sketch: you are
a concordance of person, number, voice,
and place, strawberries spread through your name
as if it were budding shrubs, how you remind me
of some spring, the waters as cool and clear
(late rain clings to your leaves, shaken by light wind),
which is where you occur in grassy moonlight:
and you are a lily, an aster, white trillium
or viburnum, by all rights mine, white star
in the meadow sky, the snow still arriving
from its earthwards journeys, here where there is
no snow (I dreamed the snow was you,
when there was snow), you are my right,
have come to be my night (your body takes on
the dimensions of sleep, the shape of sleep
becomes you): and you fall from the sky
with several flowers, words spill from your mouth
in waves, your lips taste like the sea, salt-sweet (trees
and seas have flown away, I call it
loving you): home is nowhere, therefore you,
a kind of dwell and welcome, song after all,
and free of any eden we can name
by Reginald Shepherd
You are like me, you will die too, but not today:
you, incommensurate, therefore the hours shine:
if I say to you “To you I say,” you have not been
set to music, or broadcast live on the ghost
radio, may never be an oil painting or
Old Master’s charcoal sketch: you are
a concordance of person, number, voice,
and place, strawberries spread through your name
as if it were budding shrubs, how you remind me
of some spring, the waters as cool and clear
(late rain clings to your leaves, shaken by light wind),
which is where you occur in grassy moonlight:
and you are a lily, an aster, white trillium
or viburnum, by all rights mine, white star
in the meadow sky, the snow still arriving
from its earthwards journeys, here where there is
no snow (I dreamed the snow was you,
when there was snow), you are my right,
have come to be my night (your body takes on
the dimensions of sleep, the shape of sleep
becomes you): and you fall from the sky
with several flowers, words spill from your mouth
in waves, your lips taste like the sea, salt-sweet (trees
and seas have flown away, I call it
loving you): home is nowhere, therefore you,
a kind of dwell and welcome, song after all,
and free of any eden we can name
Wednesday, January 19, 2011
Inside the Box
I’m distracted today. Tearful. Worried.
The book I just finished, that I wrote about at the end of last year, “Must You Go?” by Antonia Fraser about her life with husband Harold Pinter, ended with his death. From complications relating to esophagul cancer.
This was not an easy section of the book for me to read, and it was a surprise that this was the condition that ultimately ended Pinter’s life (despite his decades-long reliance on nicotine, to the tune of sixty cigarettes a day). It was not easy to read because this is the same cancer my Dad has been struggling with for the past nine months, and it is not at all easy to witness the suffering that comes with that, however stoically it is borne.
I’ve navigated this journey along with my family, and our support of each other has been tremendous. Friends have also helped immeasurably with easing the burden of the sadness I’ve felt since the diagnosis. One close friend in particular whose father has been battling a similar cancer for a number of years has been a huge help. This same friend also had to deal with the harsh reality of having her mother also suffering from cancer; her mother lost her life to the disease on Monday of this week.
I’m grieving for her mother, and also for my friend, as she has been as courageous in the face of her parents’ double illness as anyone could ever be. I hope I can be the type of daughter she has been to her parents in their time of need, to my own parents now.
My father has an important appointment today, too. That’s weighing on me. As Antonia Fraser so aptly described it in her book in dealing with her husband’s cancer and its stages, ‘the Great Fear’ is back.
I likened it to putting emotions in a box, in an email to a friend today. You box up the sadness, the suffering, the grief, and only draw it out when you have time, or when you can afford to go there. At other times you simply blank it out, maybe in order to continue with your daily life, to keep going.
I’ve tried all month to trace back my anxiousness, my restlessness, my inability to even start and finish a blog entry, and tie it up to a little bit of winter-blah-ness, but also to a nagging part of me that feels a bit defeated in this new year, one that doesn’t seem to vary much in its sameness from the last couple. They start off benignly enough, and then the challenges just crop up.
Steeling myself to deal with them bravely and sagely and to keep letting light in.
The book I just finished, that I wrote about at the end of last year, “Must You Go?” by Antonia Fraser about her life with husband Harold Pinter, ended with his death. From complications relating to esophagul cancer.
This was not an easy section of the book for me to read, and it was a surprise that this was the condition that ultimately ended Pinter’s life (despite his decades-long reliance on nicotine, to the tune of sixty cigarettes a day). It was not easy to read because this is the same cancer my Dad has been struggling with for the past nine months, and it is not at all easy to witness the suffering that comes with that, however stoically it is borne.
I’ve navigated this journey along with my family, and our support of each other has been tremendous. Friends have also helped immeasurably with easing the burden of the sadness I’ve felt since the diagnosis. One close friend in particular whose father has been battling a similar cancer for a number of years has been a huge help. This same friend also had to deal with the harsh reality of having her mother also suffering from cancer; her mother lost her life to the disease on Monday of this week.
I’m grieving for her mother, and also for my friend, as she has been as courageous in the face of her parents’ double illness as anyone could ever be. I hope I can be the type of daughter she has been to her parents in their time of need, to my own parents now.
My father has an important appointment today, too. That’s weighing on me. As Antonia Fraser so aptly described it in her book in dealing with her husband’s cancer and its stages, ‘the Great Fear’ is back.
I likened it to putting emotions in a box, in an email to a friend today. You box up the sadness, the suffering, the grief, and only draw it out when you have time, or when you can afford to go there. At other times you simply blank it out, maybe in order to continue with your daily life, to keep going.
I’ve tried all month to trace back my anxiousness, my restlessness, my inability to even start and finish a blog entry, and tie it up to a little bit of winter-blah-ness, but also to a nagging part of me that feels a bit defeated in this new year, one that doesn’t seem to vary much in its sameness from the last couple. They start off benignly enough, and then the challenges just crop up.
Steeling myself to deal with them bravely and sagely and to keep letting light in.
Subscribe to:
Posts (Atom)